Pixar ‘s best Disney + streaming movies in 2022

Facade of the Pixar animation studio in Oakland, California.
Beto Chagas / Shutterstock.com

Since 1995, Pixar Animation Studios has set the standard for computer animated films. The studio’s films have won numerous Oscars and won billions of dollars at the box office. Here are the best Pixar streaming movies Disney +.

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Pixar brings the dead to life in a magnificent animation Coco. Located during the Mexican holiday of Dia de los Muertos, Coco follows 12-year-old Miguel as he inadvertently activates a family curse and is sent to the afterlife. He must find his way back to the land of the living as he reveals secrets to his family history.

Coco is a colorful, heartfelt, musical-filled study of family heritage, with a beautiful, playful, Oscar-nominated themed song by superstars Robert Lopez and Kristen Anderson-Lopez.

Finding Nemo

The Underwater Adventure of Andrew Stanton Finding Nemo speaks to many parents even more than their children, with his story of a desperate father trying to find his lost son. This father Marlin (Albert Brooks) is a clown fish and his efforts to reunite with his son Nemo take him across the Pacific Ocean. Finding Nemo is funny, exciting and sometimes heartbreaking, with a memorable supporting performance by Ellen DeGeneres as a loyal but forgetful blue-skinned Dori.

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The phenomenal

Superhero movies dominate the box office these days and Pixar has created one of the best examples of the genre as a completely original story in The phenomenal. The main characters are a family of superheroes who have to adjust to normal life when the government bans the use of superpowers.

However, this did not last long, as they were forced to come out of hiding to face a new threat. The phenomenal celebrates the miracle of superheroes with a fast-paced story, mixing action and tension with the family community.

Inside out

Probably the only children’s film ever made about the value of sadness, Inside out is an insightful image of the spinning mix of emotions that everyone is dealing with. In particular, the film unfolds in the minds of 11-year-old Riley as she adjusts to a new home and a new school.

Riley’s anthropomorphized emotions of Joy, Sadness, Anger, Fear, and Disgust fight each other for dominance as they learn to coexist. Inside out creates a fully conscious inner world, with rich metaphors for life experience.

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A foolish premise leads to some profound revelations Ratatouille. Patton Oswalt voices Remy, a Parisian rat who longs to become a gourmet chef, despising the literal garbage his family members eat. He gets his chance when he reunites with the awkward young chef Alfredo Linguini (Lou Romano), directing every move of Alfredo. It’s a silly idea that provides a lot of humor, but also speaks to the emotional power of food, especially to the great restaurant critic Anton Ego (Peter O’Toole).


What if you die without really living? This is the intoxicating question that Pixar is investigating soul, for a jazz pianist who finds meaning in his life only after he dies. Joe Gardner (Jamie Foxx) joins an unborn soul named 22 (Tina Faye) to escape back to Earth and regain his life.

The influences of jazz extend to the film’s lively visualization, and the music inspires Joe’s renewed passion for life. Fox and Faye have great comedy chemistry as two very different characters learn how to appreciate being human.

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Toy Story 2

The first Toy Story was Pixar’s debut film, which declared the company a pioneer in computer animation. ass Toy Story 2 showed the masterful story of the studio together with his technical achievements, with an influential story that reflects the growth. Woody (Tom Hanks), Buzz (Tim Allen) and all of Andy’s other toys worry about their fate when their owner grows old. When Woody is stolen by a greedy collector, the toys must unite to save him in an exciting sequence.

Turning red

Puberty is hard enough without turning into a giant red panda at the wrong time, but that’s exactly what poor Chinese-Canadian teenager Meiling Lee (Rosalie Chang) has to deal with. Turning red. Like all women in her family, she begins to transform every time she experiences heightened emotions, which of course is something that happens all the time when you’re 13. Turning red is a clever, amusing allegory of age, telling a specific Toronto story in 2002 that has universal appeal.

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The discovery sequence of up is justified by one of Pixar’s most famous moments, which consolidates the entire lifelong relationship of Carl Fredriksen (Ed Asner) and his late wife Ellie in a few beautiful, heartbreaking minutes.

The rest of the film is less melancholy, following elderly Carl and his eight-year-old neighbor to a remote South American jungle, to which they travel in balloons tied to Carl’s house. There is a talking dog, an evil hunter and an awkward bird that add to a colorful, strange adventure.


There is a certain purity in making such an animated film WALL-E almost without dialogue. The main character is a lone robot stuck on a future Earth abandoned by humans. All WALL-E does all day is clean up the trash, collect special items that it keeps to itself.

That changes when he falls in love with the sleek new EVE robot and the two eventually help bring the Earth back to life. Director Andrew Stanton uses the work of comedians from silent films about the interaction of robots, while telling a story full of hope.

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